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Dick Palais
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I guess that this is a much an additional question as a response, but here is a question that I have frequently wondered about:

Is it conceivable that one could develop mathematical tools for analyzing the style and the content of the music of a great composer and use that analysis to create an algorithm that, together with a "seed theme" as input, would create a composition approximating the level of quality of that composer's actual work?

It is hard for me to believe that any purely mathematical emulation could reach the sublime beauty of some of Mozart's later works. But even a good approximation would be worth a lot of effort, and there are many examples of later composers writing music "in the style of X", that are pretty good, and that suggests there is some hope.

Dick Palais
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